![]() |
On the set of "The Rush Chairman" |
Since co-directing and acting in the short film, "Visions of Violence" in December 2014, filmmaking for me had slowed down. After my production company went on a never ending hiatus in 2015, I took some time off from film to refresh my mind and figure out exactly what I wanted to do. I ended up moving from Canada to the USA. It was an adjustment from a personal and filmmaking perspective. Since "Visions of Violence" I had only been on set once in 2015 and it was as an extra in a short film called "Really Looking." In July 2016, I again returned to set as an extra once more, this time on a feature called "Freak on a Moped." In between that time, I reunited with my cousin who I'd done 15 films with, this time with the goal of making something different from our past films. Something that would potentially put us on the map. After months of planning and some creative differences and a very key member withdrawing from the project, the film "Dead End" was cancelled and thus officially ended my ties with my Canadian Production company.
For the first time since the start of making independent films, I was faced with a choice. Either I stop my film career and do something else or I attempt to upgrade my resume and go all the way back to the beginning and start over by creating my own films. "Under The Gun" was a script I had on the shelf for a while and I decided to put it into production. August 2016, for the first time in almost two years I was back on the set of my own film, this time as the Director. Filming went well, It's probably my best film to date. I intend to release this film digitally online in January 2017. Later that month I contacted my "Director of photography" from my latest short (Lee Smith) to see if he knew of any projects coming up that I could help out in... There was. It was a short film called "Love Theif." He hired me onto the project a few days prior to filming as the "Assistant Director" and a small cameo role as 'the landlord.' It was a great weekend shoot in Spartanburg SC.
At the end of September I received an offer from producers named Brett Kanea and Helena Sullivan. I met Brett when I was an extra just months prior. He called asking if I wanted a role in a comedy-feature film called "The Rush Chairman." I was definitely interested and agreed. About a day after my conversation with Brett, he messaged me to see if I had any camera work experience, so I sent him one of my latest short films and I guess both he and Helena liked my style as I was given the "Director of Photography" position. The only catch was that since this film was put together last second, there was really not a lot of time for pre-production as it was shooting in just over a week which gave me less than 48 hours to do the shot-list. I got it done and was ready to arrive to set in Clemson SC in October. Just as production began, I learned that there wasn't a director for the film and I ended up with that title as well. I honestly didn't think I would be involved in any significant way in a feature probably for the next 7 years, just mainly because of my age. Most people in their 20's just direct short films because no one else would hire them, so they'd need to build a resume to prove themselves. So being awarded these positions made me really grateful and appreciative of the opportunity. I will always be thankful for the opportunity which was "The Rush Chairman." I can't wait for everyone to see the final product.
As for the future, I just finished co-writing "Violators" a short film which will go into production in early January of 2017. I've also landed the position of "2nd Assistant Director" in another Feature film called "Mr.Secret Agent Guy" which is slated to go into production in February 2017. "The Rush Chairman" is also expected to be released in Spring 2017. In addition to that I have a few other projects that I'm working on that are in development. 2015 was a step back for me as I didn't really do any projects. 2016 was defiantly a step forward without taking any steps back.
- Andrew Di Pardo